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The evening after my session I was in charge of the
programme for the Music Circle
of the local Womens Club to which I belong (and which my brother-in-law
somewhat unkindly but, it must be admitted, truthfully calls the ‘Grey Hair
& Glasses Society’. Actually ten years ago it would have been more accurate
to say ‘Wisteria Rinse & Glasses Society’, but I digress). As well as
organising the programme of items, I was also performing a duet, an arrangement
of Silent Night.
After work, I had a quick run-through. And
discovered that instead of being all lovely and free after my therapy session,
my voice had….gone into hiding. I could barely reach an F5. I walked into the
kitchen and my other half, for whom classical music is something other people
listen to while he listens to Glen Campbell, said “You wouldn’t have been happy
with that”. Well that ratcheted up the stress-levels to a bicycle-clip factor
of 8.5 in a heartbeat. What to do? I contemplated not doing it at all and then
decided that with a combination of steaming, gentle warm-up exercises and a
real focus on getting the sound forward, I could manage. And thankfully, I did.
It certainly wasn’t as good as it should have been, but neither was it a disaster
and fortunately the middle and lower register filled out nicely and blended
well with my singing partner. I emailed
my therapist the next day to tell her what had happened and we both agreed that
it was probably a combination of a long day, intense concentration during our
session and the stress of organising the programme.
I sang again on Friday at a function, this time all
was well. A rendition of Flanders & Swan’s ‘A Word on my Ear’ which is
always great fun. Although it’s surprisingly difficult to sing off-key
deliberately!
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